Kevin Clark

Dana Tai Soon Burgess

Dana Tai Soon Burgess is a leading American choreographer and cultural figure. The Washington Post Pulitzer Prize winning dance critic Sarah Kaufman writes of Burgess, “Not only a Washington prize, but a national dance treasure.” The Smithsonian named Burgess its first ever choreographer-in-residence in 2016. He is based at the National Portrait Gallery where he explores the confluence of dance and portraiture. Burgess has performed, taught, and choreographed around the world. He founded the Dana Tai Soon Burgess Dance Company (DTSBDC.org) in 1992. It is the preeminent modern dance company in the Washington, D.C. region. He is the host of slantpodcast.com which explores the lives and creative processes of prominent Asian American artists. Three portraits of Burgess reside in the permanent collection of the Smithsonian.

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Aniello Fontano

Aniello Fontano is an award winning playwright, screenwriter, and educator originally from Little Italy, Chicago. After receiving his BA in Directing and Design from the University of Illinois at Chicago, he earned his MFA in Dramatic Writing at New Mexico’s flagship university, UNM, on teaching and graduate assistantships in Dramatic Writing and Women’s Studies. Currently, he is writing a new work for the Lee Strasberg Institute’s Clifford Odets Ensemble Commission that will premiere December 2023. Prior to the ongoing Writers Guild of America strike, he was writing for a show in development at Netflix and developing a project with writer/ producer christopher oscar peña (Insecure, how to make an American Son, Awe/Struck) and actor/director Ty Molbak (Immortality, Next Exit, Who’s Afraid of Virginia Woolf?). Beyond his work as a writer, he is a Board Member of Prop Theater in Chicago, once Associate Board Events Chairman and now volunteer with BUILD Chicago (a nationally respected gang intervention, violence prevention, and youth development organization based on Chicago’s West Side), an Art Department Lead Person in IATSE Chicago Local 476, a Writers Room Assistant in IATSE Los Angeles Local 871, and a member of SAG-AFTRA. He continues to be mentored by director Jude Weng (Only Murders in the Building, The Good Place, Twisted Metal).

ARTICLES
Broadway World
American Theater

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24HourPlays – Aniello Fontano and Mallory Jansen – “before i rip my fucking heart out | or some babies are ugly”
24HourPlays – Aniello Fontano and Miles G. Jackson – “a start.”
24HourPlays – Aniello Fontano and Bobby Moreno – “i wanna go wild | or fucking cake eaters”
An excerpt from “summertime | an interlude” – UNM Spring 2020 – Directed by Erik Ehn
A second excerpt from “summertime | an interlude” – UNM Spring 2020 – Directed by Erik Ehn
Trailer for “summertime | a virtual production” – Kennedy Center 2021 – Directed by Erik Ehn –
Small Hours Festival – Aniello Fontano and Richard Juarez – “sons or | tu papi te ama”
Small Hours Festival – Aniello Fontano and Max Thomas – “that’s funny”

Ileana Gomez

Illeana is a flamenco dancer from the Unites States residing in Madrid, Spain. Illeana received her MFA from the University of NM in 2010 in performance and choreography while also pursuing vigorous study at the Conservatory of Flamenco (Joaquin Encinias).

Since that time, she has worked with various US. and Spanish performance companies and has been on several national tours performing in such theaters as the Joyce in NY, as well participating in dance festivals in the US and Spain such as the Festival at Jacob’s Pillow, as well as Suma Flamenca (Madrid), and has shared the stage with an array of artists in the flamenco world such as Juana La del Pipa, Carmen Ledesma,  Alejandro Granados, Pastora Galván among others.

Currently, Illeana teaches dance,  and works in the tablaos or “flamenco theaters” of Madrid. In 2018 she was prized in the “Concurso Nacional de Baile por Alegrías”. More recently,  she has participated as a soloist in shows such  “Bailaoras” along side well known artists, Carmen “la Talegona,” and Monica Fernandez; “Prendidos” by Alfonso Losa (USA), “La Vida Misma” Noe Barroso company; and most recently “La Tarara si, el alma del Flamenco,” along side Lucky losada, Ivan Losada, and Monica Fernandez, amongst others.

Justice Miles

Justice Miles is a biracial independent choreographer, dance artist, and scholar. Miles received her MFA in Choreography/Dance from the University of New Mexico and her BA in Dance from Colorado College. Miles has also had the opportunity for additional summer study at Festival Flamenco Albuquerque and Ballet Hispánico’s Choreolab summer program in New York City.

Miles’ choreography includes: Floral Tea, a floral dance film created for the Art Gym Denver Create Award Residency which was also selected to be virtually streamed in ModArts Dance Collective’s Move to Change Festival, Ink on Cotton, which was a dream-like exploration of African American history incorporating elements of contemporary dance and flamenco (excerpts performed at the Fashion Institute in NYC for Meira Goldberg’s conference The Body Questions Celebrating Flamenco’s Tangled Roots, and Aceite en Agua, excerpt selected with thirteen other pieces for the North West regional gala at the American College Dance Festival in Laramie, Wyoming.

In regards to research, Miles presented her dissertation research at the international bilingual conference Indígenas, africanos, roma y europeos: Ritmos transátlanicos en música, canto y baile in Veracruz, Mexico. This resulted in the publication of Miles’ first academic article “The Modern Synthesis of Josephine Baker and Carmen Amaya” with the journal Música Oral de Sur, edited by Raquel Paraíso, Meira Goldberg, Jessica Gotffried and Antoni Pizá. Miles has had the opportunity to present this research for the International Association of Blacks in Dance Virtual Front Row for Member Appreciation week and the 8th Biennial New Perspectives in Flamenco History and Research Symposium. Miles seeks to create spaces of inclusivity and acceptance to honor and uplift historically marginalized voices.

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Sarah Williams Gonzales

Sarah Williams Gonzales is a “dancing historian,” a dance scholar, and a dance educator. In 2012, Sarah graduated with distinction from the University of New Mexico with a Master of Arts in Theatre and Dance with a concentration in Dance History and Criticism. Her Master’s thesis, “Noisy Feet: The Forgotten Click of American Toe-Tap, 1925 – 1935,” drew extensively from primary source materials to explore early 20th century American ballet and Vaudevillian novelty dance.

Since graduation from UNM, Sarah has worked to advance the field of dance through the daily teaching of technique classes, developing dance curricula, and pursuing dance history research. Sarah is currently the Pre-Professional Education Director of Keshet Dance and Center for the Arts, in charge of the Keshet’s Pre-Professional Program (KP3), the Grant Administrator for the National Institute of Flamenco, and an adjunct faculty member within the UNM Dance Program. Sarah has been awarded two Project Plié scholarships from the American Ballet Theatre and gained certification in ABT® National Training Curriculum from Pre-Primary through Level 5. She is certified in Elementary Labanotation from the Dance Notation Bureau and has completed the Ballet For All Kids: Schlachte Method training. Sarah has presented research at both Dance Studies Association and National Dance Education Organization conferences.

Allie Hankins

Allie Hankins is a dancer, performer, and multidisciplinary artist currently residing on the unceded lands of Cowlitz, Confederated Tribes of Grand Ronde, Clackamas, and many other tribes, also known as Portland, Oregon, who makes works that toy with the destabilization of persona through uncanny physicality, layered imagery, and a biting wit all while trying to suppress her contentious eagerness to please.

She is an inaugural resident artist and current steward of FLOCK Dance Center, a studio and creative home to Portland’s experimental dance artists, which was founded by Tahni Holt in 2013. In 2014, she co-founded Physical Education, a queer performance research cooperative, with Lu Yim, keyon gaskin, and Takahiro Yamamoto. Physical Education hosts reading groups and lectures, curates festivals, and teaches workshops nationally. Allie has danced for choreographers nationally and internationally, including Milka Djordjevich (LA), Morgan Thorson (Minneapolis), Ruairi Donovan (Cork, Ireland), Julien Previeux (Paris), and Linda Austin (Portland).

She has been an Artist in Residence at Headlands Center for the Arts, the Djerassi Resident Artist Program, the Robert Rauschenberg Residency, Caldera, the Wassaic Project, and Ucross. She’s currently reading Zany, Cute, Interesting by Sianne Ngai, Calamities and the Ravika Trilogy by Renee Gladman, and all the Ali Smith she can get her hands on. She loves book recommendations. You can learn more about Allie and her work at alliehankins.com.

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Now Then: A Prologue, 2016 https://vimeo.com/177416486

Excerpts from When We, 2017 https://vimeo.com/273133619

Excerpts from scorpio 33/33, a dance film, 2017 https://vimeo.com/259921592

Excepts from /ə ˈsɪŋgəl pɪŋk klaʊd/ , 2019 https://vimeo.com/349469665

Vimeo page: https://vimeo.com/user4752333

Kelsey Paschich

Kelsey Paschich is a multi-faceted dance artist originally from Albuquerque, New Mexico and currently based in Kalamazoo, MI. She is an Assistant Professor of Dance at Western Michigan University. Paschich holds an MFA in Dance from the University of New Mexico and she holds a BFA in Dance from Point Park University. She is 1 of 12 Countertechnique® Certified Teachers in the USA and 44 globally. Her international performance career spans 20 years and multiple genres. Paschich has performed extensively with: The Moscow State Classical Ballet, DCDC2, Thodos Dance Chicago, River North Chicago Dance Company, the Chicago Symphony Orchestra, the Interdansa Dance Festival, Keshet Dance Company, ARCOS Dance, the Edinburgh Fringe Festival, and the Hannibal Project in Solden, Austria. She is the Founder and Artistic Director of project whitewall where she experiments and creates live digital work that explores humanness, the moving body, and its relationship to technology. Paschich’s multimedia work includes: screendance, dance for film, and choreographic installations. Most recently she has been experimenting and developing work with motion capture technology.

Her digital work has been screened in 11 festivals in Germany, Portugal, Turkey and across the United States. Paschich was selected as 1 of 4 international Distant Digital Dance Makers for Tanzmit dem Tiger 2021 + 2022 (Ulm, Germany), she was 1 of 4 international recipients of the Creative Living for Dancers Award 2021 (Brussels, Belgium), she was also selected for the Dancing Lab: Art Speaks 2.0 artistic residency at the National Center for Choreography at the University of Akron (NCCAkron) in 2021. Paschich was an invited speaker at The 5th International Conference on Arts and Design Education 2022 (Bandung, Indonesia), The Society of Korean Dance Studies International Symposium 2021 (Seoul, Korea), and was the recipient of the National Dizzy Feet Foundation Gene Kelly Legacy Scholarship in 2016. Paschich’s choreographic and performative experience continues to inform her pedagogical methodology in providing a progressive and holistic education that cultivates the next generation of artists.