Fine Arts Faculty and Alum Secure Fulcrum Grant Awards

Professor Ray Hernández-Durán and BFA Joanna Keane Lopez among those receiving major project funding

Now in its second year, the Fulcrum Fund is an annual grant program of 516 ARTS, as a partner in the Regional Regranting Program of The Andy Warhol Foundation for the Visual Arts, which aims to support vibrant, under-the-radar artistic activity by partnering with leading cultural institutions in communities across the country. The Fulcrum Fund is one of ten re-granting programs developed and facilitated by organizations in Baltimore, Chicago, Houston, Kansas City, Miami, Minneapolis, New Orleans, Portland (OR), Portland (ME) and San Francisco.

Ray Hernández-Durán
Associate Professor of Early Modern Ibero-American Colonial Arts and Architecture
The Alchemical Trace: Transformation and Resilience in Recent Work by LGBTQIA Artists
$5,000

This exhibition is meant to open in conjunction with the 15th annual Southwest Gay & Lesbian Film Festival, the largest event of its kind in this region of the country. With a focus on community resistance and survival, the exhibition will include recent work by a diverse group of emerging LGBTQIA artists from NYC, Chicago, San Francisco, L.A., Las Vegas, and Albuquerque. They address themes of healing, growth, memory and persistence in their art. In addition to the exhibition, there will be a lecture series, art film screenings and an exhibition catalog that will be free to the public.

Joanna Keane Lopez
BFA in Studio Art and a second major in Spanish with the honors of Summa Cum Laude
Resolana
$3,500

Resolana is a public art project composed of a south-facing, half-mooned adobe wall embedded with mirrors that reflects the audience and landscape. Derived from the New Mexican term that means “the place where the sun shines,” Resolana will act as a public art space for dialogue and performance and as a place in the community where people can gather to converse, share and reflect.

Joanna Keane Lopez, “Oda a la Fuente”, Paper, wire, willow branches, aliz, adobe bricks, mica, sheep wool, casein, onion skins, cochineal insects, black walnut, indigo, marigold & chamisa flowers, prickly pear, osage orange, turmeric. 6’x5’, Nov. 2014.

In 2017, the Fulcrum Fund aims to foster the development and presentation of artist-led projects and programs that are open to the public. In accordance with the mission of 516 ARTS to forge connections between art and audiences, the Fulcrum Fund seeks to support artists and projects that generate meaningful shared experiences and are created in a collaborative spirit. The Fulcrum Fund is a springboard for artistic processes that are adventurous, experimental and forward thinking while celebrating projects that do not fit into the traditional museum and gallery systems.

Save the date: Saturday, December 9, 2017

Fulcrum Fund Celebration & Publication Launch at 516 ARTS, 516 Central Ave SW Artists from the first year of this new grant program will share work from their projects in the form of art installations, documentation and other displays. Come meet the artists and learn about, interact with and experience their work. This event includes the release of the first Fulcrum Fund catalog centered around the artists’ projects, and which includes writings to contextualize them within our current place and time.

More info and full list of recipients >

20apr(apr 20)10:00 AM13oct(oct 13)6:00 PMFeaturedREGENERATIVE ACTIONS1011 N Richardson Ave, Roswell, NM, United States

23aug(aug 23)10:00 AM20dec(dec 20)5:00 PMFeaturedTamarind Exhibitions - Danielle Orchard: Tender Observer2500 Central Ave SE

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Event Details

Tamarind Exhibitions: Danielle Orchard: Tender Observer
Works from 2019-2022 on view in the Tamarind Gallery, August 23-December 20
Opening reception: Friday, August 23 from 5-7 p.m.
Gallery hours: Tuesday-Friday from 10 a.m.-5 p.m.

Danielle Orchard: Tender Observer showcases work made by the artist at Tamarind Institute from 2019 to 2022. Each collaboration is marked by subtle shifts in color and nuanced approaches to mark making, reflecting Orchard’s deepening engagement with the medium. During her most recent residency at Tamarind, Orchard’s studio practice focused on using “a variety of lithographic rubbing crayons and pencils,” which emulates the quality of a richly worked charcoal drawing, painting with liquid tusche, as well as “making reductive marks by scratching back into the drawing material” (Tamarind documentation sheet). The absence of color allowed the artist to concentrate on volume and light, employing the sharp contours of cubism while challenging classical notions of the muse. As far back as 1990, Joann Moser notes in her article A Living Tradition: Black-and-White Prints in an Age of Color, Tamarind Paper (Vol. 13), “many artists have consciously resisted the temptation to make prints in color. Instead they have chosen to make prints in black and white, continuing to explore the creative possibilities and expressive subtleties which have distinguished the graphic tradition during many centuries.” It is this kind of exploration that is a hallmark of collaborative printmaking at Tamarind and which is thoughtfully guided by Master Printer/Workshop Manager Valpuri Remling.
Throughout her work, Orchard complicates traditional portrayals of women as passive objects of desire. Her sculpturally-formed figures are often depicted from unexpected angles, unposed and unguarded. Her scenes, domestic and languorous in tone, depict women in repose and continually evoke questions about viewership, voyeurism, and the artistic ownership of the female form. By repositioning the female figure as a contemporary entity, detached from the constraints of the male gaze, Orchard breathes fresh life into the portrayal of women in art.
Orchard holds an MFA from Hunter College and is represented by Perrotin. Recent exhibitions include You Are a Serpent Who’ll Return to the Ocean, Perrotin; Page Turner at Perrotin, A Face for Every Season at Gallery Half Gallery, At the Seams at Perrotin, Pack den Badeanzug ein at Galerie Kornfeld, A Little Louder, Love at Jack Hanley Gallery, Embodiment at D.C. Moore Gallery, and Fauve at Geoffrey Young Gallery. More information about the artist can be found here.
Tamarind Institute, a division of the College of Fine Arts at The University of New Mexico, is a workshop, a gallery, and a center for collaborative printmaking. Tamarind faculty and staff conduct research, train collaborative printers, and produce and publish original artworks with emerging and established artists from a plethora of disciplines. Tamarind Institute’s lithography process represents the alchemy of art, craft, material and synergy between artist and printer, resulting in exquisite hand-pulled impressions.

Time

aug 23 (friday) 10:00am - dec 20 (friday) 5:00pm

Location

Tamarind Institute

2500 Central Ave SE

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