Clarence Cruz, who is Tewa from Ohkay Owingeh (formerly San Juan Pueblo), serves as the Professor of Ceramics in the Art Department. He has been a prominent and familiar figure on campus since his student days.
UNM Theatre and Dance Hosts Dance Historian and Scholar Clare Croft March 7th
The UNM Dance Program welcomes dance scholar and historian Clare Croft to Albuquerque. Croft, in addition to being a dance theorist, curator, dramaturg, and dancer, has written on the role dance plays in cultural exchange and diplomacy as well as a focus on Jill Johnston – a queer writer, dance critic, and activist. In her written work Croft explores the relationship Johnston had between her physical body as a dancer, audience member, and protest participant, and her written critiques and traces the lesbian feminist movement backs to avant-garde art practices in the 1970s.
Clare Croft is the founder and curator of Daring Dances-a project that showcases work by dance artists about navigating through difficult situations. The project uses dance and bodies to teach us that policies have real effects on peoples’ lives and experiences. Daring Dances hosts a residency program that has been awarded to Anna Martine Whitehead, Leila Wadallah, and T. Ayo Alston.
Clare Croft will be at the University of New Mexico in the Elizabeth Waters Center for Dance to give a book reading and artist talk March 7th 1pm-2:30pm.
UNM Students Feed the Fun in “Little Shop of Horrors”
UNM Theatre and Dance brings the cult-classic Little Shop of Horrors to the stage this season. Part B-movie spoof and part social satire, Little Shop of Horrors follows a meek and shy flower-shop worker whose discovery of a mysterious plant changes his life forever....
From UNM to Texas: Raychel Stine continues to shine in “Falls and Springs and Stardust Things”
Raychael Stine, Professor of Painting and Drawing, recently created a show titled “Falls and Springs and Stardust Things” at the Cris Worley Fine Arts Gallery in Texas. Stine makes luscious, joyful paintings that integrate a variety of painterly languages and approaches to mark, texture, and levels of visual legibility, allowing for playful slippage between formal and material abstraction.