Article in UNM Art Museum Journal, “Q&A with Marcella Ernest of Collective Constructs,” shares how the group came to be and their contributions to the exhibition.
The team is headed by Assistant Professor of Native American Art History, Marcella Ernest, Marina Perez, UNM Ph.D. student in Art History, Francis Reynold and Anna Rotty, UNM MFA candidates in Studio Art.
“Hindsight Insight 2.0: Portraits, Landscapes, and Abstraction,” from the UNM Art Museum is a hybrid project space and exhibition devoted to complicating existing narratives about racism, decolonization, and gender stereotypes within museum collections while de-centering curatorial authority and institutional voice. Created and curated by museum staff and collaborators, the exhibition features over 60 portraits, landscapes, and abstract artworks from the UNM Art Museum collection.
View the full Q&A with Marcella Ernest at >
https://artmuseum.unm.edu/qa-marcellaernest/
MFA Alum Emma Ressel Awarded Postdoctoral Fellowship at Center for Regional Studies
Emma Ressel is an artist working with large format film photography, re-photography, and archives. Her current work researches natural history collections to examine how we describe nature to ourselves over vast timescales. Ressel earned her BA in Photography at Bard...
Celebrating the Retirement of Artist and Educator Randall Wilson
His practice merges the historical methods of carving green wood with embossed patterning inspired by traditional leather and tinwork of the Southwest. Randall’s sculptures are shaped not only by his hand, but also by time. Each piece is left to respond naturally to...
Confidence in Abstraction: Brandon Zech’s review of Raychael Stine’s “Falls and Springs and Stardust Things”
Brandon Zech of Glasstire: Texas Visual Art recently reviewed Professor of Painting and Drawing Raychael Stine’s exhibition, “Falls and Springs and Stardust Things,” in his piece “Chimerical Colors.” Zech writes, “Raychel Stine’s paintings are full of pleasurable...